Vases for

Ceramic sculptures incorporating live plants (2023–2025)

Gaia Fugazza - Vases for - Gaia Fugazza - Vases for - Those who walk away, 2025  Stoneware ceramic, water, mother of millions plant
Those who walk away, 2025
Stoneware ceramic, water, mother of millions plant

These works are a series of hand-built earthenware clay vases with sculptural elements that incorporate live plants. The forms are developed in response to the specific behaviours, symbolism, and physical qualities of the plants themselves, creating vessels that function simultaneously as containers, bodies, and living habitats. The work dedicated to Mimosa pudica draws from the plant’s sensitivity to touch and movement. Often referred to as the “Shy Plant,” “Shame Plant,” or “Touch-Me-Not,” it reflects on the human tendency to anthropomorphise plants because of their visible reactions to contact. 

Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, aerial view of hand-built earthenware ceramic sculpture with therianthropic figures, live plants and water.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, close-up of basin of water of ceramic scuplture, surrounded by small therianthropic figures.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, detail of plants growing from earthenware ceramic sculpture with a small pool of water behind.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, detail of ceramic therianthropic figure looking back on all fours.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away (2023), detail of a ceramic sculpture depicting a therianthropic figure, with a rough, sandy-textured surface.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, aerial view of hand-built earthenware ceramic sculpture with therianthropic figures, live plants and water.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, close-up of basin of water of ceramic scuplture, surrounded by small therianthropic figures.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, detail of plants growing from earthenware ceramic sculpture with a small pool of water behind.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away, 2023, detail of ceramic therianthropic figure looking back on all fours.
Gaia Fugazza - Gaia Fugazza, Those Who Walk Away (2023), detail of a ceramic sculpture depicting a therianthropic figure, with a rough, sandy-textured surface.

The sculpture incorporating Mother of a Million (Kalanchoe daigremontiana) is informed by the plant’s invasive reproductive strategy. This succulent generates countless small clones along the edges of its leaves, allowing it to rapidly colonise surrounding space. The work with San Pedro cactus draws from the plant’s psychotropic and ceremonial associations. Often described as carrying a strong masculine spirit, the cactus informs an elongated sculptural form connected to transformation, ritual, and altered states of perception. Across the series, the plants are not treated as decorative additions but as active collaborators whose biological and symbolic characteristics shape the sculptures themselves. As the plants continue to grow and change over time, the works remain in a state of ongoing transformation, existing between sculpture and organism.

Gaia Fugazza - Gaia Fugazza, Vase for San Pedro, 2025, organic stoneware ceramic sculpture with a live cactus and two pairs of human legs protruding from either side of the form.
Vase for San Pedro, 2025
Stoneware ceramic, San Pedro plant, soil, 30 × 60 × 26 cm
(unfortunately photographed with a Myrtillocactus)
Gaia Fugazza - Gaia Fugazza, Vase for Mimosa pudica, 2023, stoneware ceramic sculpture featuring human figures and a Mimosa pudica plant growing from the centre.
Vase for Mimosa Pudica, 2023
Stoneware ceramic, mimosa pudica plant, soil, 42 × 42 × 30 cm